Dickens' Works Page

Father Time is not always a hard parent, and, though he tarries for none of his children, often lays his hand lightly upon those who have used him well; making them old men and women inexorably enough, but leaving their hearts and spirits young and in full vigour. With such people the grey head is but the impression of the old fellow's hand in giving them his blessing, and every wrinkle but a notch in the quiet calendar of a well-spent life.
Barnaby Rudge (1841)

Vices are sometimes only virtues carried to excess!
Dombey and Son (1848)

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way.
A Tale of Two Cities (1859)

It is a far, far, better thing that I do, than I have ever done; it is a far, far, better rest that I go to, than I have ever known.
A Tale of Two Cities (1859)

It is a fair, even-handed, noble adjustment of things, that while there is infection in disease and sorrow, there is nothing so irresistibly contagious as laughter.
A Christmas Carol (1843)

You do not know...what men have done to win it (gold), and how they have found, too late, that it glitters brightest at a distance, and turns quite dim and dull when handled.
Barnaby Rudge (1841)

Ven you're a married man, Samivel, you'll understand a good many things as you don't understand now; but vether it's worthwhile, goin' through so much, to learn so little, as the charity-boy said ven he got to the end of the alphabet, is a matter o' taste.
The Pickwick Papers (1836)

I love these little people (children); and it is not a slight thing when they, who are so fresh from God, love us.
The Old Curiosity Shop (1841)

Pride is one of the seven deadly sins; but it cannot be the pride of a mother in her children, for that is a compound of two cardinal virtues--faith and hope.
Nicholas Nickleby (1839)

It is good to be children sometimes, and never better than at Christmas, when its mighty Founder was a child himself.
A Christmas Carol (1843)

The children of the very poor are not brought up, but dragged up.
Bleak House (1852)

Annual income twenty pounds, annual expenditure nineteen nineteen six, result happiness. Annual income twenty pounds, annual expenditure twenty pounds ought and six, result misery.
David Copperfield (1850)

There's nothing more regular in its coming round than dinner-time, and nothing less regular in its coming round than dinner.
The Chimes (1844)

In his book The English Novel Walter Allen describes Dickens as the "great novelist who was also the great entertainer, the greatest entertainer, probably, in the history of fiction." Dickens' genius as entertainer manifest itself in his first novel The Pickwick Papers. Pickwick, a loose collection of the zany adventures of Samuel Pickwick and his friends, was a departure from the traditional novel and was instantly a smash success. This success happened at a time when huge technological strides were being made in manufacturing and steam travel, helping Dickens' fame to spread worldwide.

Dickens' ability to capture the imagination of his audience, many of them new to fiction due to a rise in literacy during the industrial revolution, was due largely to his amazing power of observation, incredible wit, unforgettable characters, and a command of the English language probably second only to Shakespeare. His fiction provided a voice for the causes and frustrations of the poor and working classes helping to assure popularity across class boundaries.

The Serial Novel

Another factor contributing to Dickens meteoric rise in popularity was the way in which he and his publishers, Chapman and Hall, chose to publish his books. All of Dickens major novels were published serially, in monthly (or weekly) installments. A full length novel was out of the price range of most of his readers ( a novel cost 31 shillings in 1836, average worker earned 6 to 20 shillings per week) but a monthly installment, 32 pages with 2 illustrations and advertisements, could be sold for a shilling.

Dickens wrote each installment with this type of publication in mind, many of the installments ended with a hook that kept the readers glued to the edge of their Victorian seats wondering what would happen next, thus ensuring the sales of the next installment. This type of arrangement worked perfectly for the workaholic Dickens, whose unbounded energy and inexhaustible supply of imagination enabled him to keep to the tight writing schedule required by serial publication for nearly 35 years, during which he missed only two deadlines: when his sister-in-law died during the writing of The Pickwick Papers and Oliver Twist, and his own death in 1870 while writing The Mystery of Edwin Drood.

Later Editions

Dickens by Daniel Maclise-1839

Upon completion of serialization the works were issued as complete novels in one to three volumes with original, and in some instances, additional illustrations. Starting in 1847 the older novels were reissued in what was called the Cheap Edition, these were published in weekly and monthly parts, and then as complete novels. Eventually all of Dickens' novels were reissued in the Cheap Edition. The concept of the Cheap Edition was similar to today's practice of reissuing hardback novels as more affordable paperbacks.

Other editions published during Dickens lifetime include the Library Edition: a high quality set published without illustrations in 1858/59. This set was reissued between 1861 and 1874 with illustrations and was called the Illustrated Library Edition. In 1867 the Charles Dickens Edition was released. This edition featured new prefaces, written by Dickens, who also made minor corrections to the text. Chapman and Hall produced the Peoples Edition in 1865-1867, these were inexpensive monthly installments of the novels aimed at travelers in the very popular bookstalls popping up in railway stations all over Britain.

Dickens' works were also published in America, sometimes simultaneously with the British edition and often with little or no compensation to the author or his publishers due to the lack of an international copyright law. Dickens campaigned unsuccessfully for international copyright during his first American visit in 1842. An English-American copyright law would not be enacted until 1891.

Dickens novels continue to be published today in popular series like the Oxford Illustrated Edition, which include the original illustrations, and the Penguin English Library's paperback edition.

The British Museum's online exhibition: Aspects of the Victorian Book explains how everything from mechanized printing presses, expanded railway lines, lower postage prices, and increased literacy all contributed to the publishing bonanza of 19th-century England.

The Pierpont Morgan Library, New York. MA 97.

All of Dickens' novels were submitted to the printer in pen-and-ink (and blobs!). The typesetter would have to carefully decipher the sometimes illegible handwriting, written in the passion of the creative moment. The first typewriters came on the market in 1874, four years after Dickens' death. This is a portion of the original manuscript for the opening stave of A Christmas Carol.